Photography Portfolio Website Products

Updated August 2024

Photography Portfolio Website Products Compared (2024)

1. Format

   • Description: Format is known for its easy-to-use interface and customizable templates, making it a popular choice for photographers who want a professional-looking portfolio without much hassle.

   • Pricing: Starts at $6/month

   • Details: Format

2. Adobe Portfolio

   • Description: Adobe Portfolio is ideal for photographers already using Adobe Creative Cloud, offering seamless integration with other Adobe tools like Lightroom and Photoshop.

   • Pricing: Included with Adobe Creative Cloud subscription

   • Details: Adobe Portfolio

3. PhotoFolio

   • Description: PhotoFolio offers high-quality, professionally designed templates tailored specifically for photographers, focusing on showcasing images with maximum impact.

   • Pricing: Starts at $17/month

   • Details: PhotoFolio

4. Photoshelter

   • Description: Photoshelter is a robust platform with advanced tools for managing archives, selling prints, and offering client proofing, making it ideal for professional photographers with large portfolios.

   • Pricing: Starts at $10/month

   • Details: Photoshelter

5. Wix

   • Description: Wix is a versatile website builder that offers modern templates and extensive customization options, suitable for photographers who want more design flexibility.

   • Pricing: Free option, premium plans start at $14/month

   • Details: Wix

6. Squarespace

   • Description: Squarespace is known for its sleek, design-forward templates that are perfect for photographers who prioritize aesthetics and want a polished, professional online presence.

   • Pricing: Starts at $12/month

   • Details: Squarespace

7. Cargo Collective

   • Description: Cargo Collective offers a more artistic approach with highly customizable templates, making it ideal for photographers and creatives looking to stand out with unique portfolio designs.

   • Pricing: $99/year or $13/month

   • Details: Cargo Collective

8. SmugMug

   • Description: SmugMug is a powerful platform for photographers who need a combination of portfolio presentation, eCommerce, and print fulfillment services, with strong security and storage options.

   • Pricing: Starts at $9/month

   • Details: SmugMug

9. Zenfolio

   • Description: Zenfolio is tailored for professional photographers who require a comprehensive solution for showcasing, selling, and delivering their work, with strong client proofing tools.

   • Pricing: Starts at $25/year

   • Details: Zenfolio

10. Pixpa

    • Description: Pixpa is an all-in-one platform that offers a portfolio, store, blog, and client galleries, making it a versatile option for photographers looking to manage everything in one place.

    • Pricing: Starts at $7/month

    • Details: Pixpa

11. Square Online (Weebly)

    • Description: Square Online, formerly known as Weebly, is a user-friendly platform that integrates seamlessly with Square’s eCommerce tools, ideal for photographers who want to sell prints and products online.

    • Pricing: Free option, premium plans start at $12/month

    • Details: Square Online

12. Dunked

    • Description: Dunked provides simple, elegant portfolio templates that are easy to set up and manage, perfect for photographers looking for a minimalist and straightforward design.

    • Pricing: Starts at $8/month

    • Details: Dunked

13. Carbonmade

    • Description: Carbonmade is an intuitive drag-and-drop portfolio builder that’s great for creatives who want a hassle-free way to showcase their work with fun, modern designs.

    • Pricing: Plans start at $8/month

    • Details: Carbonmade

14. Format Pro

    • Description: Format Pro offers enhanced features for professional photographers, including advanced client proofing, eCommerce options, and a more extensive range of templates and customization.

    • Pricing: Pro plan starts at $25/month

    • Details: Format Pro

Let me know if you have others that you like using!

Format

Photoshelter

PhotoFolio

Kate Benson

Kate Benson is a New Hampshire-based product, lifestyle, and fashion photographer with an elegant style that feels fresh and modern while giving a nod to timeless beauty. We updated her website to showcase the variety of client work she’s produced and tell the story of the kind of work she is passionate about.

Kate Medley

Kate Medley is a fantastic, North Carolina-based documentary storyteller and filmmaker. Her work is focused on social justice, the environment, agriculture, and life in the South. We worked together to revamp her website to feature the kind of work that she is most passionate about doing.

Aaron Dougherty

Aaron Dougherty is a Dallas-based interiors and architectural photographer. The spaces he photographs are so beautiful, and he lights them with the most gorgeous, luxurious light. His attention to detail and collaborative working style make him a favorite of designers, developers, and showrooms.

Jasmine Anwer

Jasmine Anwer is a Dallas-based interiors, food and product photographer. Her work has a bold, graphic sensibility and was a joy to curate.

Melanie Grizzel

Melanie Grizzel is an Austin, Texas-based portrait, travel, and food photographer. Her work has a sophisticated but approachable approach, and she makes the people she photographs feel comfortable and confident.

Eric Pohl Portfolio

Central Texas-based food, hospitality, and lifestyle photographer Eric Pohl and I teamed up to create a new print portfolio. He chose Artifact Uprising’s layflat book for his high-end paper and cover materials. We opted for a mix of multiple images, double page spreads, and single images to showcase his narrative approach to brand and editorial storytelling.

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Portfolio Review Dos and Don'ts

Are you thinking of attending a portfolio review but aren’t sure what to expect? Many photographers have questions, even if they’ve done reviews before. Do reviewers expect to see gallery-quality prints? Can you bring an iPad? Should you have a leave behind? How do you decide what to show?

Having participated in many formal portfolio review events over the years, I’ve seen a lot of the same missteps and successes. Here’s a handy guide to my top dos and don’ts.

DO

Be honest with yourself about if you are really ready to show the work. Maybe you need another year of shooting before you start showing your book to art buyers, art directors and photo editors. You only get one chance at a first impression, don't rush it if it's not the right time. Ask people who you trust for their honest opinion.

Research your reviewers and make sure that your work is relevant to what they do. You have 15-20 minutes, often with some pretty influential and powerful creatives in the industry, don't waste it. Would you roll up to a job interview without knowing anything about the company?

Have a purpose for each review and communicate that purpose to the reviewer when you sit down. Example: "I've been following your magazine for years and feel my work would fit in. Do you think I'm ready to shoot for you, and if not, what needs improvement?"  Or, "I would love get feedback on the book and recommendations for colleagues in the industry who may respond to my style of work." Or, "This is a new personal project that I'm working on, would love to know if you think it's ready to show to galleries."

Come armed with 1 or 2 specific questions that are pertinent to your reviewer's area of expertise.

Do bring the actual portfolio that you intend to show to clients. Hopefully the reviewers you meet with are also potential clients. They're not going to give you a pass because you intend, later on, to make a better book. So don't bring a hastily thrown together book and then say that you are going to change it later. The whole point of the portfolio review is to get feedback and how can someone give you good feedback if what they are looking at isn't what you really want to show?

Make sure your prints look great. This is especially important when seeing galleries.

Leave behind a well-printed leave behind. Invest in a graphic designer to help you create something that looks professional. Just because you know Photoshop doesn't mean you are a designer. If you are seeing a dream client, kick it up a notch and leave something more unique than a postcard. However, keep in mind that not everyone will want a promo. See below.

Keep notes. By the end of a long day, all the reviews can start to blend together. Make a separate page for each reviewer and mark down which images they pointed out liking, where they paused a bit longer, what questions they had about your work and specific feedback they gave you. You may also want to record audio of each meeting, if the reviewer is cool with that.

Photographers and creatives gather at the Texas Photo Roundup Portfolio Reviews in Austin, TX. Photos by David Weaver.

DON'T

Don't default to an iPad presentation. An iPad is not necessarily the best way to show still photography.  The glare in some rooms makes it very hard to see the photos, especially if your images tend to be dark. I often find myself looking at my own reflection instead of the photos.

Also, unless the iPad presentation is really slick, it can feel like not enough care was put into the portfolio. I mean, let's admit it, how hard is it to create a folder of images for someone to flip through? When I see a beautifully printed portfolio, it lends the photographer some legitimacy, makes them at least appear to have invested a lot of time and effort into their work, all which helps me take them more seriously.

Everyone spends so much time on their phones now, consuming an almost endless stream of imagery. It doesn’t feel as unique to be swipe through an iPad. Print feels special.

All that said, pay attention to your budget and don’t spend the extra money on printing if you can’t afford it.

Don't force your leave behind on the reviewer. Some people flew in for the event and may not want to tote a bunch of promos and books back. Or they may feel it's environmentally wasteful and rather not have the extra 'stuff' in their lives. Or they just may not have liked your work enough to want to take a promo. Ask if they'd like a card, but don't push it. Also don't just offer a huge and bulky leave behind. If you want to make something big, it's also nice to offer something small like a postcard.

Don't make excuses. Popular examples include: "I didn't bring my strongest work." "I didn't have time to put together much, but this should give you an idea." or "I just found out about this event."

Don't argue with constructive criticism The people looking at your work know what they are talking about. They may all have different opinions, but that is valid considering that people come from different backgrounds and that visual art is very subjective. You may not agree with someone, and that is ok, but don't tell them that they are wrong.

Want to get ready for a portfolio review? Contact me to learn how we can fine tune your portfolio, create a great promo and get the most out of the time and money you're investing.

New Orleans Photo Alliance's PhotoNOLA portfolio review session at the International House Hotel conference facility. Photo by George Long, used with permission.

Summer is no time for a vacation

If you're an editorial photographer, now is definitely the time to be getting your website, portfolios and promo pieces in shape for fall. NYC will soon be a sleepy village as all of the photo editors switch from turning out big spreads to daydreaming about what time they can hop on the LIRR to their summer share. Same goes for you corporate photographers hoping to shoot still, video or multimedia for annual reports this fall.

Contact me during June so there is time to get everything in order for September!