Photography Portfolio Website Products

Updated January 2025

Photography Portfolio Website Products Compared - 2025 Edition

Format

Description: Format is a leading choice for professional photographers, offering a user-friendly interface and customizable templates that make it easy to create a professional portfolio. Pricing: Starts at $6/month Details: Format

See portfolios I built on Format here and here.

Squarespace

Description: Squarespace offers sleek, design-forward templates that help photographers create visually appealing, professional portfolios. Pricing: Starts at $12/month Details: Squarespace

See portfolios I built on Squarespace here, here and here.

PhotoFolio

Description: PhotoFolio provides high-quality templates designed to showcase images with maximum visual impact, perfect for commercial photographers. Pricing: Starts at $17/month Details: PhotoFolio.

See portfolios I built on Photofolio here and here.

Adobe Portfolio

Description: Adobe Portfolio integrates seamlessly with Adobe Creative Cloud, ideal for photographers using tools like Lightroom and Photoshop. Pricing: Included with Adobe Creative Cloud subscription Details: Adobe Portfolio

Photoshelter

Description: Photoshelter is known for its archive management, e-commerce capabilities, and client proofing tools, making it ideal for photographers with large portfolios. Pricing: Starts at $10/month Details: Photoshelter

See a portfolio I built using Photoshelter here.

Cargo Collective

Description: Cargo Collective provides unique, highly customizable templates, ideal for photographers seeking an artistic portfolio. Pricing: $99/year or $13/month Details: Cargo Collective

SmugMug

Description: SmugMug offers comprehensive solutions for portfolio presentation, eCommerce, and print fulfillment, along with robust security and storage. Pricing: Starts at $9/month Details: SmugMug

Zenfolio

Description: Zenfolio is tailored for professional photographers needing an all-in-one platform for showcasing, selling, and delivering work with strong client proofing tools. Pricing: Starts at $25/year Details: Zenfolio

Pixpa

Description: Pixpa offers an all-in-one platform with portfolio, store, blog, and client galleries, making it versatile for managing various aspects of a photography business. Pricing: Starts at $7/month Details: Pixpa

Carbonmade

Description: Carbonmade is a drag-and-drop portfolio builder with creative and modern designs, ideal for photographers seeking a simple yet stylish portfolio. Pricing: Plans start at $8/month Details: Carbonmade

Semplice

Description: Semplice, built on WordPress, offers extensive customization options, making it a great choice for photographers who want a unique portfolio. Pricing: One-time fee starting at $149 Details: Semplice

Cargo

Description: Cargo combines professional portfolio capabilities with artistic freedom, offering highly flexible and customizable design options. Pricing: $99/year or $13/month Details: Cargo

Let me know if you have others that you like using!

Format

Squarespace

PhotoFolio

Photoshelter

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Looking for a professional to not only curate your best images but also build your photography portfolio website? I specialize in creating stunning, user-friendly sites on platforms like Squarespace, Format, 22Slides, and PhotoFolio.

Whether you need elegant galleries, e-commerce capabilities, or seamless client proofing, I’ve got you covered from start to finish. Let’s craft a site that not only showcases your work but also elevates your brand. Contact me today to get started on your custom portfolio!

Photography Portfolio Reviews: Expert Tips to Help you Prepare

As someone who's been attending and producing portfolio reviews for 15+ years, I've seen what works and what doesn't. While portfolio reviews can offer valuable feedback, they're just one piece of the puzzle in building a successful photography career.

First, let's talk about maximizing a review if you decide to attend one:

DO

Be honest with yourself about if you are really ready to show the work. Maybe you need another year of shooting before you start showing your book to art buyers, art directors and photo editors. You only get one chance at a first impression, don't rush it if it's not the right time. Ask people who you trust for their honest opinion.

Research your reviewers and make sure that your work is relevant to what they do. You have 15-20 minutes, often with some pretty influential and powerful creatives in the industry, don't waste it. Would you roll up to a job interview without knowing anything about the company?

Have a purpose for each review and communicate that purpose to the reviewer when you sit down. Example: "I've been following your magazine for years and feel my work would fit in. Do you think I'm ready to shoot for you, and if not, what needs improvement?"  Or, "I would love get feedback on the book and recommendations for colleagues in the industry who may respond to my style of work." Or, "This is a new personal project that I'm working on, would love to know if you think it's ready to show to galleries."

Come armed with 1 or 2 specific questions that are pertinent to your reviewer's area of expertise.

Do bring the actual portfolio that you intend to show to clients. Hopefully the reviewers you meet with are also potential clients. They're not going to give you a pass because you intend, later on, to make a better book. So don't bring a hastily thrown together book and then say that you are going to change it later. The whole point of the portfolio review is to get feedback and how can someone give you good feedback if what they are looking at isn't what you really want to show?

Make sure your prints look great. This is especially important when seeing galleries.

Leave behind a well-printed leave behind. Invest in a graphic designer to help you create something that looks professional. Just because you know Photoshop doesn't mean you are a designer. If you are seeing a dream client, kick it up a notch and leave something more unique than a postcard. However, keep in mind that not everyone will want a promo. See below.

Keep notes. By the end of a long day, all the reviews can start to blend together. Make a separate page for each reviewer and mark down which images they pointed out liking, where they paused a bit longer, what questions they had about your work and specific feedback they gave you. You may also want to record audio of each meeting, if the reviewer is cool with that.

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DON'T

Don't default to an iPad presentation. An iPad is not necessarily the best way to show still photography.  The glare in some rooms makes it very hard to see the photos, especially if your images tend to be dark. I often find myself looking at my own reflection instead of the photos.

Also, unless the iPad presentation is really slick, it can feel like not enough care was put into the portfolio. I mean, let's admit it, how hard is it to create a folder of images for someone to flip through? When I see a beautifully printed portfolio, it lends the photographer some legitimacy, makes them at least appear to have invested a lot of time and effort into their work, all which helps me take them more seriously.

Everyone spends so much time on their phones now, consuming an almost endless stream of imagery. It doesn’t feel as unique to be swipe through an iPad. Print feels special.

All that said, pay attention to your budget and don’t spend the extra money on printing if you can’t afford it.

Don't force your leave behind on the reviewer. Some people flew in for the event and may not want to tote a bunch of promos and books back. Or they may feel it's environmentally wasteful and rather not have the extra 'stuff' in their lives. Or they just may not have liked your work enough to want to take a promo. Ask if they'd like a card, but don't push it. Also don't just offer a huge and bulky leave behind. If you want to make something big, it's also nice to offer something small like a postcard.

Don't make excuses. Popular examples include: "I didn't bring my strongest work." "I didn't have time to put together much, but this should give you an idea." or "I just found out about this event."

Don't argue with constructive criticism The people looking at your work know what they are talking about. They may all have different opinions, but that is valid considering that people come from different backgrounds and that visual art is very subjective. You may not agree with someone, and that is ok, but don't tell them that they are wrong.

Want to get ready for a portfolio review?

Contact me to learn how we can fine tune your portfolio, create a great promo and get the most out of the time and money you're investing.

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Photographers and creatives gather at the Texas Photo Roundup Portfolio Reviews in Austin, TX.

Photos by David Weaver.

New Orleans Photo Alliance's PhotoNOLA portfolio review session at the International House Hotel conference facility.

Photos by George Long

SEO Tips for Commercial and Editorial Photographers

SEO might not be the first thing on your mind as a photographer, especially with the rise of Instagram as a discovery tool. But here's the thing—SEO is still a game-changer for ensuring people find you outside the scroll. It helps you drive steady traffic to your site, build credibility, and control how potential clients experience your work.

When I’m looking for a photographer to hire for a project, I might discover them on Instagram, but I head to their website to get a complete picture of their work. I almost always share the website link with creative directors when pitching someone for a project. I may supplement that with some screenshots from their Instagram, but the website is still the focus.

So, let’s dive into some practical ways you can boost your SEO in 2025.

1. Make Your Website Mobile-Friendly

Think about how often you use your phone to browse. Google does the same when ranking sites. Make sure your website looks and works great on mobile. A responsive design and quick load times aren't just nice-to-haves anymore—they’re must-haves.

2. Keep Your Content Fresh

You’ve got stories to tell, so share them! Regularly update your blog with behind-the-scenes peeks, case studies, or industry tips. Not only will your audience love it, but search engines will notice you're active and relevant.

3. Speak Your Clients' Language

What words do your potential clients type into Google when they're looking for a photographer? Figure those out and sprinkle them naturally throughout your site. For example, instead of just "photographer," go for something like "Austin commercial photographer" to attract the right crowd.

4. Tidy Up Your Image Files

Your photos are your bread and butter, but they need to be SEO-friendly too. Give your image files descriptive names, keep their sizes manageable for faster loading, and don’t forget to fill in the alt text—it’s a simple way to boost your visibility.

5. Get Local with SEO

If you're aiming for local clients, shout it from the digital rooftops! Make your location clear on your site, and don’t forget to claim your Google My Business listing. Encourage happy clients to leave reviews—they're gold for local SEO.

6. Build Your Network of Backlinks

While not as dominant as before, quality backlinks from reputable sites still play a role. They act as endorsements of your content’s credibility and relevance. Collaborate with industry blogs, write guest posts, and get your site listed in relevant directories. These links help search engines see you as a trustworthy source.

7. Speed Up Your Site

Nobody likes waiting for a site to load, and search engines feel the same. Keep your site snappy by optimizing image sizes, using solid hosting, and cleaning up any messy code. Fast sites don’t just rank better—they also make visitors happier.

8. Keep Your Portfolio Current

Your portfolio should be a living, breathing showcase of your latest work. Regular updates not only impress visitors but also give search engines fresh content to index.

9. Add Schema Markup

Schema markup is like giving search engines a cheat sheet for understanding your site. Use it to highlight important details about your services, location, and portfolio. It can help your site stand out in search results.

10. Keep an Eye on Your Progress

SEO isn’t a set-it-and-forget-it deal. Use tools like Google Analytics and Search Console to see what’s working and what’s not. Regularly checking in on your performance helps you tweak and improve over time.

Even though Instagram might feel like the place to be, SEO is still your best bet for long-term visibility. By following these tips, you’ll make sure your website continues to attract the clients you want.

Resources

Check out this list of search terms to include in your content.

Google Keyword Planner - Language search analysis. Must have Google Ads account set up, although you don’t have to be currently running any campaigns to do research.

Google Search Console - Feedback on site visibility and search behavior.

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Need Help?

Contact me to talk about optimizing your site. I’m not an SEO expert, but I have worked closely with SEO companies to optimize portfolio sites built in Squarespace, PhotoFolio and Format.

20 SEO Search Terms for Commercial and Editorial Photographers

In today’s digital landscape, many photographers rely heavily on Instagram for discovery and client engagement. However, SEO (Search Engine Optimization) remains a crucial tool for photographers looking to build a sustainable online presence. Unlike social media platforms, which are subject to algorithm changes and limited organic reach, SEO ensures your website remains discoverable on search engines, driving consistent, targeted traffic over time. By optimizing your site, you not only enhance visibility but also establish credibility and control over your online portfolio, making it easier for potential clients to find and trust your work.

Here are the top 20 search terms (keywords and phrases) for commercial and editorial photographers to drive traffic to their websites. These keywords are designed to target potential clients searching for photography services or related information.

General Keywords

1. Commercial Photographer

2. Editorial Photographer

3. Professional Photographer Near Me

4. Corporate Photography

5. Advertising Photography

6. Product Photography

7. Lifestyle Photographer

8. Portrait Photographer for Businesses

9. Event Photographer

10. Photography for Publications

Niche-Specific Keywords

1. Industrial Photography Services

2. Food and Beverage Photography

3. Architectural Photography

4. Fashion Editorial Photography

5. Corporate Headshot Photographer

Location-Specific Keywords

1. [City] Commercial Photographer (e.g., "Austin Commercial Photographer")

2. [City] Editorial Photographer

3. [City] Corporate Event Photography

4. [City] Product Photographer

5. [City] Lifestyle Photography

Tips for Using These Keywords

• Long-Tail Keywords: Combine these keywords with more specific terms (e.g., “Corporate Event Photographer in Downtown Austin”) to capture targeted traffic.

• Content Integration: Use these keywords naturally in your website content, blog posts, image alt text, and meta descriptions.

• Local SEO: Focus on local variations of these keywords to attract clients in your area.

• Regular Updates: Refresh your site content regularly with these keywords to stay relevant in search engine results.

Using these keywords strategically will help improve your website's visibility and attract potential clients looking for professional photography services.

Resource: Photo Contests and Grants Calendar

(Updated August 2024)

Did you know that an editor can help you home in on the right images for contests and grants?

An objective, outside opinion and fresh look at work can help you craft a contest or grant entry that connects with the judges.

I've created contest edits for numerous photographers who went on to win World Press Photo, POYi, Communication Arts, and PDN Photo Annual awards.

Photography Contests and Grants Calendar for 2024

Photography offers many opportunities to showcase your talent and receive support through contests and grants. Below is a comprehensive list of key photography contests and grants for 2024, including specific grants aimed at documentary photographers who are People of Color, Women, or Indigenous.

Top Photography Contests and General Grants for 2024

1. International Photography Awards (IPA)

   • Prizes: Up to $12,000 for professionals

   • Eligibility: Open to photographers of all levels worldwide

   • Categories: Ranging from fine art to documentary photography

   • Deadline: January 31, 2024

   • Details: IPA Website​

2. Sony World Photography Awards

   • Prizes: Multiple categories with significant media exposure

   • Eligibility: Open globally with specific categories for youth, students, and professionals

   • Deadline: Various deadlines for different categories (Professional competition: January 12, 2024; Open competition: January 5, 2024)

   • Details: Sony World Photography Awards​

3. Monovisions Photography Awards

   • Prizes: $3,000 for Black and White Series of the Year

   • Eligibility: Open to black and white photographers at all levels

   • Deadline: January 21, 2024

   • Details: Monovisions Awards

4. Fine Art Photography Awards

   • Prizes: $5,000 in total cash prizes

   • Eligibility: Open to all, with categories for both amateurs and professionals

   • Deadline: February 11, 2024 (Early Bird: October 13, 2023)

   • Details: Fine Art Photography Awards​

5. Abbey Road Studios Music Photography Awards

   • Prizes: Mentorship sessions with leading industry figures

   • Eligibility: Open to all music photographers

   • Deadline: July 18, 2024

   • Details: Abbey Road Studios

6. Getty Images Editorial Grants

   • Amount: $5,000 to $15,000

   • Eligibility: Open to emerging photographers and photojournalists

   • Focus: Supports impactful editorial projects, particularly those highlighting underrepresented communities

   • Deadline: Typically opens in spring

   • Details: Getty Images Grants

7. The Howard Chapnick Grant

   • Amount: $10,000

   • Eligibility: Focuses on education, research, and projects promoting social change in photojournalism

   • Deadline: Spring 2024

   • Details: W. Eugene Smith Fund​

8. The Magnum Foundation Fund

   • Amount: Varies per project

   • Eligibility: Prioritizes photographers of color and those working on projects related to social justice

   • Deadline: Typically opens in March

   • Details: Magnum Foundation

9. National Geographic Storytelling Grants

   • Amount: Up to $30,000

   • Eligibility: Open to photographers documenting underrepresented communities or critical global issues

   • Deadline: Rolling deadlines throughout the year

   • Details: National Geographic​

10. The Alexia Foundation Grants

    • Amount: Varies

    • Eligibility: Supports photographers focusing on social justice and human rights issues

    • Deadline: Opens in early 2024

    • Details: Alexia Foundation​

Top Grants for Documentary Photographers (People of Color, Women, Indigenous)

1. Women Photograph Project Grants

   • Amount: Up to $5,000

   • Eligibility: Open to women and non-binary documentary photographers

   • Focus: Supports photographers telling stories about their communities or issues affecting women globally

   • Deadline: Opens in spring 2024

   • Details: Women Photograph​

2. The Nat Geo Explorer Grant

   • Amount: Up to $10,000

   • Eligibility: Open to early-career photographers who identify as women, Indigenous, or as part of an underrepresented community

   • Focus: Supports impactful storytelling projects

   • Deadline: Rolling applications throughout the year

   • Details: National Geographic Explorers​

3. Indigenous Photograph Annual Grant

   • Amount: Varies

   • Eligibility: Indigenous photographers from around the world

   • Focus: Supports the work of Indigenous photographers documenting their communities and issues relevant to them

   • Deadline: Typically opens in the fall

   • Details: Indigenous Photograph​

4. The Visionary Woman Awards

   • Amount: $5,000

   • Eligibility: Open to women photographers with a focus on social justice or environmental issues

   • Focus: Supports projects that address critical issues affecting women and communities of color

   • Deadline: Summer 2024

   • Details: Visionary Woman Awards​

5. Native and Indigenous Photographer Fund

   • Amount: $10,000

   • Eligibility: Exclusively for Native American, First Nations, and Indigenous photographers

   • Focus: Supports documentary photography projects that highlight Indigenous experiences and stories

   • Deadline: Typically opens in the fall

   • Details: Native Photographers​

6. Black Women Photographers Grant

   • Amount: $5,000

   • Eligibility: Open to Black women and non-binary photographers

   • Focus: Provides funding to help elevate the work of Black women photographers and document their communities

   • Deadline: Opens in spring 2024

   • Details: Black Women Photographers​

7. Diverse Photographers Initiative by Adobe

   • Amount: $10,000

   • Eligibility: Open to photographers of color, particularly those from underrepresented communities

   • Focus: Supports creative projects that highlight diversity and social justice

   • Deadline: Opens in the spring of 2024

   • Details: Adobe Diversity Initiative

8. The Serendipity Arles Grant

   • Amount: €5,000

   • Eligibility: South Asian women photographers

   • Focus: Supports creative documentary projects that explore social issues in South Asia

   • Deadline: Typically opens in late summer

   • Details: Serendipity Arles Grant

9. Fellowship for Black Photographers by Light Work

   • Amount: $10,000

   • Eligibility: Black photographers working on documentary projects

   • Focus: Supports emerging and mid-career Black photographers with a focus on documentary work

   • Deadline: Opens in early 2024

   • Details: Light Work​

10. The Color Positive Grant

    • Amount: $7,500

    • Eligibility: Photographers of color

    • Focus: Supports documentary photography projects that highlight positive stories from communities of color

    • Deadline: Opens in the fall

    • Details: Color Positive Grant​

Conclusion

The landscape of photography contests and grants is rich and diverse, with numerous opportunities for photographers of all backgrounds to advance their careers and amplify their voices. For documentary photographers who are People of Color, Women, or Indigenous, these grants provide vital support to tell important stories that might otherwise go unheard. Stay updated with deadlines and apply to those that resonate most with your work and vision.

Explore, create, and submit—2024 could be your year to shine!

Documentary Photography Grants

Please note that grant availability and application criteria may change over time, so it's always a good idea to check the respective organizations' websites for the most up-to-date information.

1. Magnum Foundation Emergency Fund: Supports independent documentary photographers who are covering critical issues around the world.
   https://www.magnumfoundation.org/emergency-fund

2. Getty Images Grants for Editorial Photography: Provides financial support to photographers working on compelling social, political, and cultural stories.
   https://wherewestand.gettyimages.com/grants

3. W. Eugene Smith Memorial Fund: Awards annual grants to photographers working on humanistic documentary projects.
   https://smithfund.org/

4. The Aftermath Project: Offers grants to photographers exploring the aftermath of conflict and promotes constructive storytelling.
   https://www.theaftermathproject.org/

5. Women Photograph Grants: Aims to support the work of women, non-binary, and gender non-conforming photographers worldwide.
   https://www.womenphotograph.com/grants

6. Alexia Foundation Grants: Supports photographers and visual journalists addressing social justice and humanitarian issues.
   https://www.alexiafoundation.org/

7. Open Society Foundations Documentary Photography Project: Funds photographers documenting social issues and human rights.
   https://www.opensocietyfoundations.org/grants/documentary-photography-project

8. Pulitzer Center Grants: Provides funding for journalism projects, including documentary photography, with a focus on underreported issues.
   https://pulitzercenter.org/grants

9. International Women's Media Foundation (IWMF): Offers reporting grants for female and gender non-conforming journalists, including photographers.
   https://www.iwmf.org/programs/reporting-grants-for-women/

10. CatchLight Fellowship: Supports visual storytelling that drives social change and amplifies underrepresented voices.
    https://www.catchlight.io/fellowship

11. The Documentary Project Fund: Grants for photographers and filmmakers working on projects that shed light on social, political, and environmental issues.
    https://www.documentaryprojectfund.org/

12. World Press Photo Foundation: Offers grants, fellowships, and other programs to support visual journalism and storytelling.
    https://www.worldpressphoto.org/activities/grants-programme

13. The FENCE Grant: Provides financial support and exhibition opportunities for photographers participating in The FENCE, an outdoor photography exhibition.
    https://fence.photoville.com/

14. The Ian Parry Scholarship: Aims to support young documentary photographers and offers mentorship, equipment, and cash prizes.
    https://www.ianparry.org/

Remember to visit each organization's website for specific details on application deadlines, eligibility criteria, and grant amounts.

Here are some grants specifically tailored for Indigenous photographers:

1. Native American Journalists Association (NAJA) - National Native Media Awards: NAJA provides grants to Indigenous photographers and journalists for their work in covering Native American communities. Website: https://najanewsroom.com/programs/awards/

2. IllumiNative - Native Storytelling Fellowship: Offers financial support to Native American and Alaska Native artists, including photographers, to create and share authentic narratives. Website: https://www.illuminatives.org/native-storytelling-fellowship

3. Indigenous Screen Office (ISO) - Mentorship Program: ISO provides grants and mentorship opportunities for Indigenous photographers and filmmakers working on storytelling projects. Website: https://www.screenoffice.ca/

4. N7 Fund - Nike: N7 Fund supports Native American and Aboriginal communities through grants for various artistic and sporting endeavors, including photography projects. Website: https://www.nike.com/n7

5. First Peoples Fund - Cultural Capital Program: Offers grants to Indigenous artists, including photographers, to support the continuation and revitalization of traditional art forms. Website: https://www.firstpeoplesfund.org/grants/cultural-capital

6. National Geographic Society - Indigenous Storytelling Grants: Provides grants to Indigenous storytellers, including photographers, to document and share stories from Indigenous communities worldwide. Website: https://www.nationalgeographic.org/funding-opportunities/grants/what-we-fund/indigenous-storytelling/

7. The Native Arts and Cultures Foundation - Artist Fellowship: Offers fellowships to Native American, Alaska Native, and Native Hawaiian artists, including photographers, to support their artistic development and projects. Website: https://www.nativeartsandcultures.org/grants-fellowships/artist-fellowship

8. Ford Foundation - Indigenous Art and Culture Initiative: Supports Indigenous artists and cultural practitioners, including photographers, through grants that foster the revitalization and celebration of Indigenous cultures. Website: https://www.fordfoundation.org/work/our-grants/indigenous-art-and-culture-initiative/

Seven Ways to be a LinkedIn Power User

(Originally published December 2019, updated January 2021)

I’m a big fan of LinkedIn.

Unlike contacts database subscriptions that you pay for, you can be reasonably assured that the information you see is correct. After all, it’s the individuals themselves who are updating the info, not a third party.

I also love that it’s a relatively politics-free social media space, where people unabashedly share their work achievements.

I’ve been posting on LinkedIn and leveraging it as a marketing tool for a few years, for both myself and individual photographers I work with, and have learned a lot along the way. Here are some of my top tips for getting the most out of it.

1. Take advantage of the new “Featured” feature.
   After years of begging, LinkedIn has answered! You can now highlight work, with large thumbnails. Feature images, recent posts, web links, and more.
   

2. Beef up your profile by adding images and videos.
   We’re visual people, working in a visual industry. Your LinkedIn profile should reflect that. You can add portfolio pieces to a specific experience block by clicking the edit icon, then uploading images or PDFs. To add websites or videos, click “link” and insert the URL you want to point to.
   
   You can also upload a banner photo to your profile page. Ideal dimensions are 1584x396.
   

3. Create long-form articles.
   LinkedIn’s built in publishing tool allows you post articles with larger photos and videos than you can in the experience blocks. You can create behind the scenes posts with photos from a recent shoot, a recap of a recent trip you took, a year-end wrap up of your favorite projects. Navigate to https://www.linkedin.com/post/new/ to get started.
   
   Once you have created articles, they will appear in your profile and add some nice visual interest to your page. That said, in my experience they have lower engagement than newsfeed posts. Which brings us to my next tip…
   

4. Share interesting news and updates in your feed as quick posts.
   Navigate to https://www.linkedin.com/feed/, then create a post as you would on facebook or twitter. I often share industry news and trends, because I love keeping up with that stuff and sharing it with others. I also occasionally post my own recent work to my feed.
   
   Another benefit of posting to your feed is that it is another way to add visual interest to your profile page.
   

5. Follow potential clients
   It can be weird and creepy to send a connection request to people you don’t know. Instead, I prefer to follow people (and companies). This way, interesting work they post automatically appears in your news feed, where you can like and comment. It’s a great way to stay up-to-date on what people are working on. When it comes time to approach them to show your work or pitch an idea, you’ll be in a much more knowledgeable position.
   
   To follow a company, do a search for them and then click follow. To follow a person, navigate to their profile page, click “more”, and then “follow”.
   

6. Research potential leads
   Sometimes, you know what brands, firms, or publications you want to work with, but aren’t sure who the right people to follow are. I use LinkedIn’s powerful search tool to help with this.
   
   Say you want to show your portfolio to Amazing Local Ad Agency, Inc, but you don’t know who would be the best fit. Head to the keyword search box at the top of the page and enter the company name. This will bring up their main page (where you can follow them, see #4).
   
   - Click on “See all 300 employees on LinkedIn”
   - Filter those results by location, if relevant
   - Add a relevant keyword in the “Title” box, such as photo, art, creative, marketing, or producer.
   
   This will bring up a refined list of people who may be a good fit for you, and from there, you can follow them or send them a promo in the mail. Again, I would NOT suggest sending a connection request at this point unless you have had some previous interaction.
   

7. Don’t be shy about asking colleagues and clients for recommendations
   It can feel a little awkward asking someone to write a glowing recommendation for you, but they are powerful ways of showing the world that you are great at what you do. When you complete a project, make sure you are connected to those involved in the production on LinkedIn, and ask those you worked most closely with to share a short recommendation. These will appear on your profile page.

A note about Premium LinkedIn accounts and InMail

If you are considering upgrading your account to premium, there are some benefits that I like, such as being able to see who is viewing your profile, and how many searches your profile appeared in. Also, if you are doing a lot of market research and searching for specific job titles or people, eventually, LinkedIn will force you to upgrade to premium before showing any more search results. If I have a lot of research I want to do, I’ll upgrade for a month and then downgrade when I’m done.

I’m not a huge fan of InMail because, just like unsolicited mail in your regular inbox, it can be annoying to be on the receiving end. I very judiciously use InMail if I have something specific, relevant, and timely to contact someone about and I feel very confident that my email will not be a nuisance.

Join me over on LinkedIn!

View fullsize

Use the Feature area to highlight recent work with oversized thumbnails

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Examples of work can be added to an experience block. Images can be uploaded and links to videos can be embedded.

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Long form articles and short posts appear in your profile under Articles & Activity.

To follow a contact (instead of sending them a connection request out of nowhere), navigate to the More… button on their profile page.

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To find potential leads, use the search tool and filter by location, job title, etc.

Women in Visual Journalism - Staying Productive and Positive During COVID

I had the pleasure of speaking at the Women in Visual Journalism virtual conference. My co-host, Alicia Calzada, and I talked about things you can be doing during Covid to continue to move your career forward. We talked about updating websites, registering your copyright, social media, and more. Thanks to those who were on the zoom!

Photo Therapy Worksheet

This worksheet is to help you reflect on your photography business, including its strengths, weaknesses, and goals.

I use this worksheet with every new photographer I collaborate with as a way of identifying target markets, dream clients, and gaps in the work. This is especially helpful before embarking on a website update, print portfolio, or any marketing efforts.

I find it helpful to update this information on a yearly basis. It's good to reassess things, as well as to have an archive of goals. It's interesting to look back years later and see how your goals have changed.

If you have any questions, or are interested in 1-on-1 coaching help, please contact me!

Editorial Workshop

I'm so excited to be teaching this editorial workshop, along with the amazing Leslie Baldwin!

This is an updated version of a popular workshop I taught in Dallas, and will be a great experience for any photographer (aspiring or professional) who is looking to deepen their approach to destination and travel storytelling.

You’ll shoot and edit for two days in a welcoming, constructive group environment. We'll be taking full advantage of many of the wonderful things Austin has to offer, with a shot list comprised of restaurants, shops, and activities around town.

REGISTRATION IS OPEN --> http://www.ilovetexasphoto.com/shop/editorial-workshop/

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You will leave this class with:

✅ First-hand knowledge of what an editorial photo editor is looking for in feature story photography

✅ Strategies for handling a feature story assignment, from logistics to building a rapport with subjects

✅ A concise edit of new images that you can add to your own portfolio, build a promo out of or share on your social media accounts

✅ Real-world examples of marketing efforts that get the attention of magazine editors and art buyers

✅ An annual marketing checklist, with suggestions for when to do social, email and print promotions

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Class size is limited to 12 to ensure maximum awesomeness and opportunities for high fives!

Diversity in Photography - Resources

Originally published September 2016. Updated June 2020.

As discussions around representation, diversity, and equality in media become more frequent, new resources are available to help creatives find, hire and publish photography by marginalized communities of artists and storytellers.

This list features organizations dedicated to increasing the presence of underrepresented groups in the media. Please contact me if you have corrections or suggestions for additional links.

Creative Directories & Agencies

Authority Collective
"The Authority Collective is a group of womxn, femmes, trans, non-binary and gender non-conforming people of color reclaiming their authority in the photography, film and VR/AR industries.”

Diversify Photo
Another fantastic database of artists around the world. “Diversify was born out of a recognition that calling for more diversity in the photo industry is not enough. To diversify photo, we need to equip Art Buyers, Creative Directors, and Photo Directors with resources to discover photographers of color available for assignments and commissions.”

Firecracker
Firecracker was established in 2011 by Fiona Rogers to promote women working in photography, through a variety of online features, networking opportunities and public events. Now in its 10th year, Firecracker continues to champion the work of female, female identifying and non binary photographers internationally through its online platform, annual grant, social media channels and event program. Rogers was previously Chief Operating Officer of Magnum Photos.

Hire Black Female Creatives
A list of Black female photographers, graphic designers, art directors, hair/makeup, and other creatives available for projects.

Women Photograph
Excellent resource for finding female-identifying and non-binary photographers around the world. Founded by Daniella Zalcman.

African Photojournalism Database
African Photojournalism Database is a directory of emerging and professional African news photographers, photojournalists and documentary photographers reporting on cultural, economic, environmental, political and social issues on the continent, as well as sports, nature, and stories of everyday life. There are over 400 photographers currently listed on the database, including over 180 professional photographers.

GirlGaze
"Girlgaze, initially created as an Instagram hashtag highlighting the female perspective, is an online jobs marketplace and creative agency that connects companies and brands with a global community of diverse and inclusive female-identifying creatives to generate award winning content.”

Women in Photography
Women in Photography is a platform for any female Photographer or photo interest. The aim is to give female artists a platform to show their work, inspire and encourage on their journey as a photographer.

Rueda Photos
A collective focusing on “themes with social context, referring to the territory, the gender issues and the current affairs that are specific to it”.

F Collective
"An initiative that asks brands + their agencies to pledge to present a female photographer option on each job, with a goal of increasing gender diversity in advertising photography.”

Free the Bid
FREE THE BID is a 501c3 non-profit initiative advocating on behalf of women directors for equal opportunities to bid on commercial jobs in the global advertising industry.

We, Women
"Through a radical transformation of image-making—with the goal of contributing to lasting change—We, Women believes we can revolutionize how we see our world and ultimately, ourselves.” Offers grants and other opportunities.

Natives Photograph
"Natives Photograph is a space to elevate the work of Indigenous visual journalists and bring balance to the way we tell stories about Indigenous people and spaces. Our mission is to support the media industry in hiring more Indigenous photographers to tell the stories of their communities and to reflect on how we tell these stories. “

Native
"We connect emerging journalists, documentary makers and visual storytellers from underrepresented regions and communities with major publications and introduce them to a global audience."

Majority World
Massive list of photographers from Asia, Africa, Latin America and the Middle East. Hard to search by destination, suggest contacting with specific needs. “We specialise in sourcing high quality images from these diverse continents, which provide unique insights into local cultures, environments and development issues.”

The Luupe
"A community of women photographers creating custom content for leading brands. We believe authenticity in advertising shouldn’t be hard to achieve. So we’re making it easier and more affordable to get a steady stream of stunning, diverse content - created specifically for you.”

Women Who Draw
Illustration is not my main area of focus, but as a photo editor, I am sometimes asked to make illustrator recommendations. I love this database for the filtering capabilities (location, race, illustration style, etc).

Stock photo archives

CreateHER Stock
“A grassroots resource and digital space for stock imagery that can be used for lifestyle, business, and everyday content creation for bloggers, creatives, and online influencers.”

Nappy
“Beautiful photos of Black and Brown people, for free. For commercial and personal use.” Similar model to Unsplash, which I’m not really a fan of because I don’t believe you can make a living off exposure. But if you are using free sources like Unsplash, Nappy fills a void that is needed in the industry.

Gender Spectrum Collection
"The Gender Spectrum Collection is a stock photo library featuring images of trans and non-binary models that go beyond the clichés. This collection aims to help media better represent members of these communities as people not necessarily defined by their gender identities—people with careers, relationships, talents, passions, and home lives.”

TONL
“Culturally diverse stock photos that represent the true world we live in. Creating an inclusive culture takes both commitment and action. A diverse mix of voices leads to better discussions for everyone.” Founded by Joshua Kissi.

Offset
Not specifically a stock archive showcasing the work of underrepresented communities, however, they do make an effort to feature more diverse and representational photography.

Production Resources

3% Movement

New Pandemics
Casting and management agency dedicated to increasing LGBTQ+ visibility.

Portfolio Reviews By Month

Portfolio Review at Texas Photo Roundup. Photo by Nick Cabrera, used with permission.

Updated October 2017

Thinking about attending a portfolio review event? Here is a list of review opportunities in the United States, organized by month.

When choosing which reviews to attend, keep in mind that some are geared more toward fine art photography and others are more commercial and editorial. Research the reviewers who will be in attendance to see if they are a good fit for the kind of work you do. Looking for tips on how to prepare for a review? Check out my Portfolio Review Do's and Don'ts

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March

FotoFest Houston: International Biennial of Photography and Photo-related Art with portfolio reviews.

MOPLA Portfolio Reviews: A juried, annual portfolio review. Fresh Look pairs photographers with top photography experts in their respective fields for an in-depth conversation that provides professional feedback and critique in a casual, relaxed environment.

Photo Alliance held at the San Francisco Art Institute, produced in cooperation with Lens Culture. 

New Orleans Photo Alliance's PhotoNOLA portfolio review session. Photo by George Long http://GeorgeLong.com (used with permission)

April

Photolucida Portfolio Review: Photographers at the mid-career level register for one-on-one meetings with the reviewers of their choice. Each review session lasts for 20 minutes and we limit the number of participants to assure that everyone receives 4 or 5 reviews per day for four days. It's a great way to network. Numerous photographers have walked away with opportunities to exhibit, publish and sell their work after attending the Portfolio Reviews.

Palm Springs Festival Portfolio Review: As part of Palm Springs Photo Festival, Over 1,000 Portfolio Reviews with industry professionals will be offered during the week. Prices start at $250 for 5 reviews.

October

NYC Fotoworks: Bi-annual portfolio review where photographers can have 1-on-1 meetings w/ industry professionals.

PhotoPlus Expo: Designed exclusively for emerging and professional photographers, this is a great opportunity to meet and present your work for critique and receive the advice of the industry's top professionals. Takes place at the Javits during Photo Plus Expo. 

Filter Festival Portfolio Reviews: Participants sign up for twenty-minute face-to-face reviews and receive candid advice about their work, as well as information on getting their photographs exhibited and published.

Atlanta Celebrates Photography Portfolio Reviews: the ACP Portfolio Review and Walk offers artists the opportunity to meet with highly respected curators, dealers, editors, and agency representatives from across the United States and beyond. The Portfolio Walk (following the review sessions) gives participating photographers the opportunity to present their work to the general public at an evening reception, open to all. On hold for 2017 with new format to come in 2018.

American Society of Media Photographers: Annual portfolio review in New York for commercial photographers that is free for members.

CENTER's Review Santa Fe: The three-day, annual event offers participants a minimum of nine portfolio reviews, inclusion in the Review Santa Fe 100 online resource, a reception at the New Mexico Museum of Art, and a reception at Photo-eye Books and Prints.

November

Medium Festival of Photography, Eye to Eye portfolio reviews: Eye to Eye portfolio reviews offer an opportunity for photographers to receive exposure and feedback about their work from influential gallery directors, curators, and industry professionals. Takes place in San Diego.

December

PhotoNOLA Portfolio Reviews: Annual event that coincides with PhotoNola. Offers twenty-minute face-to-face meetings with gallery owners, editors, publishers and museum curators from throughout the U.S.

Year-round opportunities

Portfolio Reviews at The Center for Photography at Woodstock: As a benefit of membership, CPW staff are available for in- person portfolio reviews. Intended to provide constructive feedback, portfolio reviews are a great way to receive professional advice and guidance. They also feature portfolio reviews by Skype!

American Society of Media Photographers (ASMP) and American Photographic Artists (APA) members might have local portfolio review offerings depending on your chapter. Furthermore, both ASMP and APA often provide discounts for members that attend portfolio reviews.

New Orleans Photo Alliance's PhotoNOLA portfolio review session. Photo by George Long http://GeorgeLong.com (used with permission)

Are there great portfolio review events that I am missing? Contact me and I'll add them.

Great Promo Ideas

Looking for some self-promo inspiration?

Check out my pinterest board of great photography promo ideas. From large-format newspaper promos to simple postcards, this board features examples of great design and image choices.

Have something you'd like to add? Contact me!

Other great resources include:

• Under Consideration blog
• APhotoEditor's Instagram feed features tons of well-designed promos that were mailed to founder Rob Haggart
• PDN's Promos We Kept feature
• Dwell's Promo Daily - hasn't been updated in a while but still a great source of inspiration

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Want to make a cool promo that will grab clients' attention? 

Insight on participating in contests from Tsuyoshi Ito of ONWARD Photo.

ONWARD Photo Competition 2014 is now accepting submissions. Tsuyoshi Ito, Founder and Director of the ONWARD gives six tips below on participating in photo contests. Six Tips for Finding the Best Competitions for You Now that you know how to effectively enter a photography competition, where will you test your skills? If you've begun your search, you've probably discovered that the sheer number of contests available makes it almost impossible to decide which ones to enter. The goal of this article is to help you, the photographer, cut past all of the industry buzz words and marketing efforts to identify exactly which competition is going to be the best fit for you.

I have a good deal of experience with these competitions - I host an international one annually (ONWARD Photo Competition, for a small shameless plug). And in order to help increase the information I share in this article, I consulted several pro and semi-pro photographers who have also been challenged by this issue. Given our unique experience of both hosting and participating in photography contests, we’re hoping our combined perspectives will be the missing pieces to help you “crack the code.”

So without further ado...

Tip #1: Work Toward Your Goal While this is the most basic of our six tips, it might also be considered the most important. When you come across a competition, start by taking a look at the juror(s) and finding out what "prizes" the competition offers. Do they align with your personal goals?

Having your image chosen by a famous photographer and juror may provide the nod of approval you desire, while being selected by a curator or other industry professional can result in the right contacts.

If you're solely "in it to win it," cash money and/or gifts may be enough. However, should you want to jump-start or advance your career in photography, you will want to confirm that the reward includes some kind of exposure. If so, your objective may be placement in a museum or collection versus a gallery exhibition.

Want both the prize and the ongoing recognition? Find a well-rounded contest that acknowledges various goals and offers all of the above. There truly is no right or wrong decision here. We simply recommend you choose a competition that fulfills or aligns with your personal goals as a photographer.

Tip #2: Know Their Vision

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After you take note of your own objectives in entering a competition, you should take a deeper look at the hosts to learn what their goals are. Do they provide detailed information about how the contest works, as well as what's expected of you? Or do they just request your credit card information and ask you to submit your image(s)?

If you encounter the latter, the organization is most likely in the business to make a profit—the fees they collect will go toward prizes, and whatever’s left over will go into their pockets.

You may be okay with this if your goal is to win a prize. However, if you want more out of the competition, move on and align yourself with an organization whose vision is compatible with yours. This may mean you're looking for an organization that positions itself as a year-round resource with offerings that are important to you. Again, there is no right or wrong decision here; we just want you to be sure that your time and money are being invested into the right organization for you. Tip #3: Be Aware of "Free"

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There are hundreds of competitions that will let you participate at no cost - but are they really free? The old adage, "nothing in life is free," applies to more of these zero dollar contests than you may think. Scan the fine print of these so-called “free” events, and you may find that they plan to own the rights to your image and may even sub-license them to third-party companies for their use, too! As you consider entering this contest, you'll also want to evaluate whether winning that free camera bag you'll use for a few years is worth losing the rights to your image forever.

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On the other hand, the entry fee that you balk at paying will, in many cases, pay off in the end. Those charging an entry fee typically invest that into their competitions, to finance reputable jurors, various promotions (e.g., marketing your selected images) and celebratory events (exhibitions!) — all while allowing you to maintain ownership of your work. So before you skip over a contest because they charge an entry fee, look into where that money goes, and remember how you can benefit from what is typically a small investment in the grand scheme of things.

Tip #4: Calculate the Costs Sure, the only fee written in the contest instructions is the entry fee, but have you truly understood the fine print? Exactly what else will you be responsible for? It's very important not only that you read the competition details, but also that you truly understand them as well. If you don't, you may miss a hidden message, or, even worse, a hidden cost. For example, if the competition will host a physical exhibit to showcase the selected images, will they provide the frame or expect you to frame the work yourself? Who is responsible for the shipping charges, both to and from the venue? You may notice that they will require you to supply the hardware, but not disclose the related fees in detail. Therefore, you'll need to review the information carefully so that you can determine what it is you're really going to end up spending to participate in the contest.

Tip #5: Be Truly Recognized You can usually count on a competition to post the selected images on their website. However, in today's digital world, seeing your image on a website might not be as exciting to you as seeing your image on a gallery wall, where people can experience your winning print in person. Picture your photo perched atop that bright white wall for hundreds to gaze at in awe. Even better, imagine the chance to mingle with photographic peers and industry professionals, discussing your inspiration for the image, making valuable contacts and getting invaluable advice. These networking opportunities might be otherwise difficult to come by, so you want to keep this in mind when deciding which competitions are worth your time.

Tip #6: Stay Exposed So, you've found a contest that's going to praise your work all over the Internet, but have you looked into just how long you'll be featured? Many competitions will remove all traces of your win shortly after the contest is over, in order to make room for the latest and greatest group of participants. However, it doesn't have to be that way.

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There are hosts out there who remain interested in positioning themselves as a partner and trusted source to all of their selected photographers, no matter the year. If this is important to you, it may be a better option to align yourself with a competition that will continue to showcase your photograph(s) long after you've won. In Conclusion… ...With the digital age on the rise, it means that photographs are more easy to share, which has helped lead to more competitions. Wading through the hundreds that are available to you can be a little confusing at first, but knowing what you want to get out of the competition and the - sometimes dirty - little details of the competition should help you feel infinitely more confident in the decision you make. Hopefully some of these tips have helped you get that much closer to finding your right competition - or introduced you to the world of competitions for the first time! Happy contesting!

Guardian Picture Editor on Finding and Hiring Photographers in the US

Caroline Hunter is Deputy Picture Editor of The Guardian's Weekend Magazine which features gorgeous photography. I recently spoke with Caroline about the process of finding and hiring American photographers from her vantage in the U.K. How often are you hiring U.S.-based photographers? We hire U.S. photographers every week. I work on a busy picture desk and we often feature contributors and celebrities who are based in the US. Sometimes it feels as though we commission more photography in that part of the world than anywhere else!

Are you more likely to look for someone who is located in the city you have an assignment in, or to fly someone in who has the perfect style for the story? Does that depend on if it’s a big feature or a smaller front of the book story? Yes, basically if it's a big feature or a cover shoot or a very important subject, we'll almost always use someone that we've used before. If the flights aren't too expensive or the distance too great, we'll often fly someone to a particular location - it's just safer and more reassuring to use someone whose work you know very well. If on the other hand, it's for a smaller feature or a a fairly straightforward shoot/job, we'll always prefer to use a local person. This saves massively on budgets - although the end result can be unpredictable !

Walk us through a typical shoot. You get the story from the editorial team. What comes next? If you don’t have someone in mind, where do you begin your search? What are some of your favorite resources for finding people? How much do you rely on recommendations from colleagues? A typical shoot can work in many different ways. Sometimes we'll have the written copy/feature already. This is the best way to commission as you know exactly what the story is about. Quite often though, I might not know much about the feature as it hasn't been written yet. On other occasions, I might commission a shoot that is part of a much bigger and ongoing feature - which will often change as time goes on. Sometimes it will be a celebrity shoot that will require styling, hair and make-up and location scouting.

I'll discuss the shoot with one of the commissioning editors as well as the Art Director and then will have a think about ideas and photographers. I might do some research on the internet for visual ideas as well as looking at online portfolios. If I don't have someone in mind, I might look at the Wonderful Machine website or recent editorial shoots for other magazines that I like. I'll also have a look through the sites of photographers who have contacted me recently - just to refresh my memory. I like looking at websites like Nowness, which is great for visual ideas. I don't rely too much on recommendations - sometimes it's nicer to discover fresh talent.

How can a US photographer get on the radar of an editor in Europe? Obviously they can’t network with you at parties, and planning trips to show their portfolio can be time and cost prohibitive. With all the noise online, how can they get through to you in a memorable way? I think it's quite hard. The most effective way is a meeting - but I know that this is very tricky and expensive to set up. Photo-festivals are a good way of potentially seeing/contacting many editors/agents in a short space of time - but these too can be expensive. Being located in a city where there isn't much competition and you're a 'big fish' in a small pond is quite a good way to get stand out.

Most of the photographers we use are based in NY and LA - two of the most competitive cities for creatives on the planet ! Having an interesting and consistently high standard of work will ensure your work always stands out - and a well-designed, easy to navigate website is essential. Being well-connected and getting known in certain circles is important too. I often get recommendations from other photographers and editors.

Do you have favorite blogs that you follow to stay up to date on what is happening in the US photo scene? I like looking at the NYT lens blog as well the New Yorker Photo booth, Time magazine and blogs like Flak photo and Lens Culture.

Do you make trips to photo festivals or portfolio review events to meet new photographers? I know in the past a lot of European editors went to Visa pour l’Image and Arles, but it seems like travel budgets aren’t what they used to be.  Yes, I regularly attend photo festivals. I find them really energizing. I like doing portfolio reviews as it gives me a chance to meet and spend time with new and existing photographers.

What are some of the trends that you’re seeing when it comes to the kinds of photographers that are getting assigned? Any trends in promos you receive? I get a lot of monthly newsletters (always emailed) from photographers who have just done a shoot or e-zines where they're telling me what they've been up to in the last few weeks. I think the trend for highly retouched, digitally remastered images will be with us for some time. This seems to have replaced the very natural-looking painterly style imagery that was fashionable around a decade ago.

Can you share some pet peeves when it comes to photographers courting you? For a photographer, I think that it's important to know the market that you're pitching to. If you're ringing up a photo editor, agent or art buyer - don't expect them to give you a page-by-page description of their product. You should already know which sections you'd like to contribute to and be able to ask questions and comment on recent work that was featured. It's really no point pitching a lifestyle or travel feature to a magazine that only deals with current affairs. It might sound like commonsense but you'd be amazed at how many times this happens.

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Caroline Hunter is a magazine photo editor and Deputy Picture Editor of The Guardian's Weekend Magazine. She has over fifteen years experience of commissioning and art-directing portraits, photo-journalism, celebrity shoots, still-life, interiors, beauty and conceptual photography. Previous to the Guardian, she worked for Time Out London, Emap publications and The Saturday Telegraph magazine.

 She has degrees in Fashion Journalism and English Literature from the London College of Fashion and the University of London respectively. She is a regular portfolio reviewer and judge at international photo-festivals. She lives and works in London.

Video interview with KLRU Collective

klru.org/collective Turning your love of photography into more than a hobby is not an easy task. With the rise in popularity of apps like Instagram, everyone has the ability to be a photographer, but it takes more than just having the right equipment. We’ve got some tips from Austin professionals at the Texas Photo Roundup on how to "develop" your photography. Music: "You Belong Here" by LEAGUES

KLRU Collective filmed photographer Kimberly Finkel Davis and me at the Texas Photo Roundup!

I talk about what it takes to be a working professional, and Kimberly visits AgavePrint and Cloverleaf Studio for help with her beautiful print portfolio.

Songs about Photography Playlist

Looking for some musical accompaniment to your days spent at the computer? Tune into my "Songs about Photography" playlist on Spotify. Have any suggestions to add?

Get Organized and Build a Better Portfolio Webinar with Photoshelter

Photoshelter CEO Andrew Fingerman and I talked about getting organized and building a better portfolio. Lots of actionable steps are included that you can apply right away to the presentation of your work. 

Jasmine DeFoore has over 20 years experience in the photo industry as an editorial photo editor, project manager, marketing director, artist representative, and freelance art producer. She uses this mix of experiences to help commercial photographers get the kinds of jobs they are looking for.

Podcast Interview with The Candid Frame

I was recently interviewed by Ibarionex Perello. We talk about marketing, editing, brand identity and more. As hard as it is for me to listen to my own voice, I encourage you to give it a listen. Let me know how I did. I've only managed to get through the first 45 seconds or so. http://thecandidframe.blogspot.com/2012/08/the-candid-frame-151-jasmine-defoore.html